Ten years after staging its
first performance, Director Kate Mendeloff Reimagines The Tempest in Nichols
Arboretum.
By Kate Mendeloff
Editor's note: Shakespeare in the Arb has been a June tradition for more than 16 years. The play is directed by Kate Mendeloff, a faculty member in the University of Michigan Residential College. Kate wrote about the summer 2017 play, The Tempest, which she presented in 2007.
Editor's note: Shakespeare in the Arb has been a June tradition for more than 16 years. The play is directed by Kate Mendeloff, a faculty member in the University of Michigan Residential College. Kate wrote about the summer 2017 play, The Tempest, which she presented in 2007.
In re-staging
Shakespeare's final play, "The Tempest", I had some major challenges
from the outset. Ten years ago, I staged the play in Dow Prairie, and even
incorporated the Huron River in my design. Because the play begins with an
actual shipwreck in process, and such a thing is not possible to stage outside,
I had my designers create a wrecked ship on the opposite bank of the river.
This was a powerful opening image for the audience who were walking to the
starting point of the action.
Because of repair work
this spring on the road along the Huron River and in the prairie itself, I had
to use a different venue this year. I chose the East Valley, and decided to use
the Heathdale glen for the audience entrance, and to people the woods with the
characters who were thrown upon Prospero's island by the shipwreck. This serves
a similar purpose, and introduces the audience to the action of the play from
the very beginning of their experience in the Arb.
Also, the East Valley
has a new feature this year, which is serendipitous for the production, a huge
tree has split in half and fallen right in the middle of the area. In the play,
Prospero had released his servant Ariel from imprisonment in a tree, so that
this symbol of repression and freedom is front and center in the audience's
minds. We use the tree for some significant staging moments during the action.
Ariel (Justin Kim). Photo by Emilie Heimbold. |
"The Tempest "
is a wonderful play that incorporates magical elements and non-human
characters. Prospero, the banished Duke of Milan, is also a magician, and he
has been himself shipwrecked on this island, twelve years before, and now lives
there with his daughter Miranda, and their servants, the earthly Caliban,
half-man, half-creature, and the air-spirit Ariel. In this season’s production Ariel
is played by seven actors at once and is everywhere on the island doing
Prospero's bidding and so must be embodied by many performers.
Miranda and Ferdinand (Sarah Prendergast and Nick Megahan). Photo by Emilie Heimbold. |
The plot of the play
concerns Prospero's revenge on his evil brother and the King of Naples, who engineered
his overthrow. Prospero creates a storm that brings them to his island and
oversees their punishment, but stops short of cruelty because of Ariel's
compassion and also by the burgeoning relationship between the King of Naples’
son and his daughter. The king also chastises two comic characters who side
with Caliban to threaten his authority and his life.
Redemption is the
theme of the play, although much of the action is about conspiracy and revenge.
Prospero, like his creator Shakespeare, decides to give up his magic and retire
to a quiet life, but not before he writes some of his most beautiful poetry and
creates some of his most intriguing characters.
Prospero and Miranda ( Rob Sulewski and Marilyn Schotland). Photo by Emilie Heimbold. |
I am aided in the
magic of the rehearsal process by collaborators Graham Atkin and Emma
McGlashen; Martin Walsh, my colleague in the Residential College; and Jordan
Khalaf, who has taken the Elizabethan melodies and adapted them for our production.
The play runs Thursday-Sunday evenings June 8- June 25 weekends. Information
about tickets, parking, directions, and more is found on the Matthaei-Nichols
Shakespeare in the Arb web page.