On
March 26, 2016 University of Michigan faculty and staff gathered at Matthaei
Botanical Gardens to view and judge the quilts in the exhibit “A Cloth of Earth
and Sky: The Healing Power of Nature through the Eyes of African American
Quilters.” The judges convened and discussed the evaluation criteria they used,
with several scoring models on hand. These included:
·
How
the quilts fit to the exhibit theme (“the healing power of nature”);
·
How
the quilts express the artists’ statements (when a statement was provided);
·
Artistic
creativity;
·
Technical
craftsmanship appropriate to the artistic engagement.
About the judges
and the review process:
Judging
took place on Saturday, March 26, 2016. The judges were:
· ·
Marianetta
Porter, Professor of Art & Design, UM Penny W. Stamps School
of Art and Design.
of Art and Design.
· Martha
Jones, Presidential Bicentennial Professor, Arthur F. Thurnau Professor of
History, Afroamerican and African Studies in the College of Literature, Science
and the Arts and Affiliated Faculty, Michigan Law School.
· Debbie
Taylor, Assistant Director of the Women in Science and Engineering, College of
Engineering
· Karen
Simpson, Student Account, Financial Operations.
· David
Michener, Associate Curator, Matthaei Botanical Gardens & Nichols Arboretum,
UM Museum Studies (clerk).
Results:
April
Shipp, Thorn in My Side, Greens in My Pot
This
quilt is exquisite. It is sculptural and complex – and as stunning up close as
it is from a distance. Every detail is considered. The sense of dandelion and
its powers is evoked – fitting tribute to a folk and healing
‘walk-over-medicine’. The statement is almost poetic and unites untold
generations.
Carolyn
Bunkley, Mother Earth
We
love the story and its presentation in the quilt. The intergeneration teaching
is personal yet universally understood. Powerful!
Honorable Mention,
Adult (alphabetical order)
Beautifully
composed – all the elements and techniques are integrated into a complex
harmony. The chevroned borders are a meticulously executed complement.
Masterful – and well-tied to the artist’s powerful statement.
Stunning
– it’s hard to imagine composing this piece, which is so evocative of an
Impressionist painting.
Remarkable
and profound. Powerful spiritual symbols including the bottle tree, shells, and
Sankofa. Respectful homage to ancestors and healing nature.
All
three of the Student entries.
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